
7, 8.10
The Original
Sîpan Sezgin Tekin
“I’M NOT MAD, I’M SUFFOCATING WITHIN YOUR REALITY”
— Antonin Artaud
How often do you play a role just to belong? For a job, a home, a relationship? In The Original, Sîpan peels back the layers one by one, searching for what remains when you stop performing yourself. A kaleidoscopic performance filled with mirrors, video cameras and a murder mystery.
The Original draws you into a world where nothing is quite what it seems, while posing a question that lingers: do you really know yourself?
Sîpan delves into his Kurdish family history, shaped by hidden identities, culture, language and a sense of self distorted along the way. At the same time, it is the story of an immigrant artist in the Netherlands, who finds himself having to prove his worth and right to belong, again and again. For a job, a home, a status, a relationship.
Perhaps this isn’t just Sîpan’s story, but something we all recognise. After all, who doesn’t constantly try to live up to someone else’s expectations? The Original is about that pressure, and about the longing to briefly connect with something real. Relatable, surprising, and likely to stay with you long after.
“Stories embody resistance and serve as testimonies of triumph. And as long as the fight for justice continues, Sezgin Tekin will keep spreading and passing on these stories.”
Theaterkrant on 'The Mountain'
Sîpan Sezgin Tekin (Amed/Kurdistan 1996) is a multidisciplinary performer and theatre maker whose work explores political and historical narratives through the embodied use of language. Focusing on multilingualism, language physicality, and identity politics, he creates immersive performances that examine the role of mother tongue in shaping identity, performance, and the perception of borders and nationality.

performance & concept Sîpan Sezgin Tekin artistic guidance Farnoosh Farnia & Chris Keulemans final direction Mesut Arslan technique Mirko Lazović produced by Mezrab | House of Creation regie assistant Evin Acar assistant director Yusuf bilir special thanks to Agat Sharma supported by Toneelschuur Producties, Ambassade van het Koninkrijk der Nederlanden